In compulsory military service time. Graffiti of replacement soldiers at the Podadera Lighthouse (Cartagena)
DOI:
https://doi.org/10.53351/tfvydg39Keywords:
graffiti, compulsory militar service, soldiers, replacement, Podadera LighthouseAbstract
Despite not being a building of military character and functionality, the La Podadera Lighthouse (Cartagena) has on its mural surfaces a set of graffiti made, some time ago, by soldiers assigned to the different units and barracks of the municipality of Cartagena (Region of Murcia), the majority in compliance with the now extinct Compulsory Military Service (SMO). Young men from all corners of Spain, as evident in the graffiti, who, in their day, carried out surveillance work in the buildings and surroundings that are part of the coastal military installation known as the San Juan de la Podadera Battery, whose origin dates back to the 17th century, and with which the aforementioned signaling building shares space, whose first lighting took place in 1866.
In this work, the analysis of these historical motifs made, applying various techniques, is offered on the plastering of the aforementioned property that served, for a short period of time in the 19th century, as a fundamental orientation element for sailors arriving or transiting through the surroundings of the port and coast of Cartagena. Added to the numerical relevance of the set is the documentary value of the preserved texts and images, in which many of the features of the life of the replacement soldier can be glimpsed, among which those linked to the use of a temporary youth language typical of the troops and used within the barracks environment. Epigraphic graffiti predominates over figurative ones, transferring both, on the walls and upper terrace, samples of those thoughts and axes of interest that occupied the minds of the recruits, their conversations to kill the hours of tedium in the barracks, the development of the solitary guards, as well as their position in the ephemeral and circumstantial barracks hierarchy, highlighting, in this sense, the obsession with the passage of time.
The graffiti from the La Podadera Lighthouse presented in this work joins the small number of studies that have addressed the cataloging and analysis of graffiti related to the military world after the Spanish Civil War, a field of research that, in the case of departmental city, offers ample possibilities, given the rich military architectural heritage it has and through which, for decades, a large number of replacements and calls of young spaniards passed.
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